A piece of great charm that reinterprets the archetype of the armchair by subtraction, emptying its padding without depriving itself of comfort and "lightening" with the use of natural fibers.
The structure in the rush with cortex draws comfortable armrests and the typical "ears" of the Bergère model, all held together by the bindings and by a real hand -made wicker texture.
This model designed by Eugenia Alberti Reggio for Ciceri was exhibited at the Milan Triennale of 1951 in the "Straw, Giuco and Wicker" section.
The armchair was partially restored in the weaving, Polished, An imperfection in the texture of the back of the backrest