Acrylic painting, a view of a bright, cloudy sky above a field. The sensitive choice of colors lends the painting a strong luminosity and fits perfectly into any contemporary setting. Combine two or three paintings in the same style to give your wall gallery a decorative and distinctive appeal. The artist has been exploring the interplay of complementary colors for several years. In the first series, "Nudes from Behind," the background, rasterized with complementary colors, creates an intangible color field within the partially realistic painting. An atmospheric space is created in the viewer's eye, allowing the realistically painted part of the image to stand out spatially. In the second series, "Variations on Paul's Apples," the artist takes up Paul Cézanne's apple still life series and translates some of Cézanne's motifs into complementary painting. The result is a series of paintings with a bold, graphic style. Through the deliberate use of complementary colors, the motifs appear three-dimensional upon closer inspection. Three-dimensional vision arises in the viewer's mind through perception with both eyes. In painting, a three-dimensional effect is created solely through the use of complementary grids. This allows the images to be perceived three-dimensionally. Neo-Impressionists such as Georges Seurat, Paul Signac, Théo von Rysselberghe, and Anna Boch already employed a color grid in their painting. Also known as Pointillism, they developed luminous color fields with an atmospheric effect through finely gridded and dotted pure colors. He further develops this technique through the conscious use of complementary colors and coarse grids, thus making his paintings glow in almost garish colors, as known from Pop Art. With self-irony, he gives his painting the term "Pop Neo-Impressionism."
Specifications
ConditionExcellentColorsMulti Color, Mint, Orange, Pink, Turquoise, Grey, GreenMaterialWood, CanvasNumber of items1First ownerYesOrientationSquareArt sizeMediumHeight50 cmWidth50 cm